As I said in the prelude to this review series, the 2000s were the decade that superhero movies were becoming the next big Hollywood genre, after being deemed the kiss of death in the 90s. They were becoming more adult and complex and had their creative voices as shown by the success of Sam Raimi’s Spider-Man and Christopher Nolan’s Batman Begins and the failure of Bryan Singer’s Superman Returns, which to many filmgoers and critics, relied too much on nostalgia for the original Christopher Reeve films. But an even more unique take on the comic-book flick came in the form of Jon Favreau’s Iron Man.